Projects

Becoming

Becoming

Becoming is an interactive prototype being developed at the Virtual Production Studio, Belfast Media Lab. The work explores matrescence, the profound and often ineffable transformation of becoming a mother, through sound, sculpture, interactive and large-scale moving image.

Created by artist Helena Hamilton, in collaboration with Janie Doherty (artist, doula, massage therapist) and Aisling McGeown (poet, filmmaker), the project is informed by both their own lived experiences and qualitative research with mothers across generations, from early parenthood to grandmothers.
At its centre is a sculptural core: a steel bath transformed into a resonant speaker. Tactile transducers make the bath vibrate audibly and physically, while children’s toys placed in and around it tip, fall and rattle against the steel, creating sharp, percussive sounds that carry both playfulness and fragility. When touched, the bath’s surface vibrations can be felt directly, offering audiences a tactile encounter with sound.
This sculptural environment is enveloped by a hybrid sound field combining loudspeakers, open-back headphones, and the bath itself as a resonant speaker. Moving images on a large-scale LED wall transform the intimate into the monumental, magnifying gestures of care and daily life into a shared, collective experience.
Open-back headphones deliver spoken-word poetry drawn from the research, so that each participant carries an intimate, personal strand of the work. Each poem currently loops as a self-contained listening experience, and we are experimenting with how these loops might alter depending on participants’ proximity to one another. Building on a ‘hybrid listening system’ developed at the Sonic Arts Research Centre (QUB), this research explores how poems can form a shifting constellation of voices that responds to audience movement, whilst also surrounding each listener in a personal sound cocoon. This interplay of individual listening and collective interaction evokes how themes of isolation, connection, resilience and contradiction are lived and shared across maternal experience.

Experiment

£20,000

Aims of the Project

The project aims to make matrescence, a term still unfamiliar to many, more visible and widely understood. It seeks to explore the ineffability of this transformation through artistic means: spatial sound, tactile haptic objects, and interactive processes that resist simple explanation. In Becoming, sound is treated as a medium that can create a deeply personal and resonant listening experience, even while situated within a collective environment.

The work is also driven by the eclectic skills of its collaborators: artist Helena Hamilton’s practice in sound, sculpture and immersive media; Janie Doherty’s skills as a movement artist, doula and massage therapist; and Aisling McGeown’s practice as a poet and filmmaker. Alongside qualitative research with mothers across generations, these diverse skills shape the project’s development into an authentic experience that resonates with a wide range of audiences. At the same time, the project seeks to push the boundaries of how immersive art can hold, translate, and share complex lived experiences.

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