Projects
Wonderfull: The Poetic Fortune Teller
Wonderfull: The Poetic Fortune Teller
Exploring ways immersive technology can make a poetic fortune teller machine feel like magic.
Wonderfull: The Poetic Fortune Teller wants to show its audience another way of seeing the world around them.
Tested and prototyped using basic tools of Arduino and conductive ink with wood frame holding the perspex in an 'immersive' space. This project is a small iteration of the bigger ideas of moving people through space using light and dispelling what they thought to be true about the world that they see around them.
Deanna Rodger's work is known for its emotional resonance and its ability to address social issues in an accessible yet impactful way. Pushing boundaries of form and content, she explore themes of identity and more recently motherhood, and am preoccupied with how people see the world.
Wonderfull was funded to prototype through a Pervasive Media Studio Winter Residency 2023. Following the three month residency, I shared and tested the prototype at Lyra Bristol's poetry festival 2024 and began the process of positioning me as a poet who works with creative technologies.
This phase of exploration builds on this solid foundation, and will see Wonderfull take the next step towards becoming an audience ready immersive experience.
Explore
£5,000
Aims of the Project
Exploring ways in which the screen can give a realistic image of the real world but change when different parts of it are interacted with.
Areas of focus:
- FullDome technology
- Observing audience participation in immersive experiences. Who and how?
- Perception and magic moments – how real life interacts with controlled but seemingly
spontaneous variables. - The voice and identity of my machine
- How immersive technology reflects and illuminates the magic and wonder of the real world.
Stages:
There are three stages to this funded activity; planning, research and evaluation of immersive tech in relation to my creative practise.
- Organising meetings with established artists working in immersive arts for insights on developing concepts and building immersive work for audiences.
- Attending OFFF festival and Sous Dome festival to observe audiences, learn from
creatives and be inspired by international projects. - Building a plan for experimenting with specific technologies which feel right for this idea.
- Developing my confidence and public profile as a poet working with creative technologies
- Documenting and sharing insights and milestones from this process to build an
audience for this work.
Following this period of activity, I will have acquired the tools; insight, knowledge and connections necessary to apply for Experiment funding to assemble a skilled team poised to build this idea using immersive technology.
Now 19 @ Tekniska Museet
I think this one hits some really good beats. For instance the twist towards the Earth feels good with the audio. It gives me a sense of longing when I watch it. Especially the view of the Sun. And I enjoy the distance that is kept before revealing that the cosmic shape is in fact Earth.
Poetry Deanna Rodger
Music Gabriel Benn
@ Tekniska Museet – May 2025
How did they do that?
My project was all about meeting people and spending time in the technology that I thought would make my machine feel like magic:
- 3 research visits – SousDome Festival, Paris / Tekniska Museet, Stockholm / The Market Hall, Plymouth
- 2 meetings – Lauren Gilders & Barney Steel.
SOUSDOME, PARIS
I spent two days watching full-dome films from all over the world, & one live music performance.
I observed audience engagement; Audible reactions, demographics, when people left.
Spoke with members of the audience in attendance; Which films resonated with them & what brought them there to the festival
Reflected on my own opinions and ideas towards the technology.
During one series of films, one of the films lagged and fell out of sync. I wondered what had happened and why it couldn’t be stopped and started.
I held back in the auditorium to listen in to what the artist was saying and how the tech team were responding. They were unable to play individual films once they had been loaded up; this meant that a simple stop start wouldn’t work.
Whilst overhearing this, I approached two people and asked them my audience questions. We got into a conversation about narrative in fulldome and I introduced myself as a poet who is exploring how this technology could make a poetry machine feel like magic but what I had noticed was that there was no use of poetry or storytelling and it felt like such an oversight and fortunately this critique was met with agreement and a declaration ‘we’ve been thinking the same thing too’ – They were representatives of Tekniska Museet and had a dome in Stockholm they invited me to visit.
I couldn’t believe it, I was totally buzzing! This was an adventure and new paths were appearing. An invitation to throw some poetry around in a dome!
We exchanged LinkedIn profiles.
TIP: Always have these marketing tools updated and looking good! I quickly neatened mine up/updated it when I returned to my hotel room!
BARNEY STEEL – Marshmallow Lazer Feast
We spoke into technologies and projects, workflows and systems and AI. He was positive about the fortune teller machine and suggested that I make an app for it as most people have a camera on their phone which could be used to map the environment and put fortunes onto it. There was also a suggestion of different tones to the fortunes which i enjoyed thinking about and considering. Barney offered steady wisdom towards building ideas.
TIP: Listen to the experts. This chat with Barney was alleviating! I had an instinct that I should follow the full dome route and splinter off from my initial idea but had been worried that this would not be allowed. Barney’s attitude towards the idea though encouraging and emboldening also gave me permission to keep exploring.
I checked in with my IA producer to make sure I could reappropriate funds to Stockholm clear communication is important to make sure that full support, insights and encouragement can be given.
TEKNISKA MUSEET
As we were to meet int he afternoon, I spent the morning walking the city and visited the photography museum to fill me up with considerations as to how the image can be used. This helped me get into the mind-frame of creating, and how audiences move through immersive spaces.
Once in the dome, we attempted standalone poems moving around the space and throwing up different backdrops, and spoke about the format of live poetry gigs. I was shown other experimental full dome work for reference and decided to pull out an old script which had been set to music. It’ was not the idea I was there for but it felt like it would solve the problem we had been discussing and throwing around. We played extracts from my phone through the sound desk, and piloted coarasely through OpenSpace. Immediately we realised we had struck upon something interesting to come back to the next day.
The next day, a french delegation of artists and creative technologists were visiting the museum, and sat in to watch our R&D. We pulled together a 5 minute ‘scratch’ of what we had been working on – the tracks playing and OpenSpace as the set design – the response was overwhelmingly positive.
TIP: If you have an instinct to try something, even if it feels cheeky or random, offer it. You never know what it might open up.
LAUREN GILDERS PR
Lauren talked through my activity for the Explore grant and helped to orientate an intentional documentation of my activity. I was thinking about how to have a story to share in order to secure future funding. Having this in mind from the off has been very useful. This was a good framework to make sure I was documenting my process and experiences.
TIP: take pictures, videos and voice-notes. It’s all useful for reflection and joining dots.!
MARKETHALL, PLYMOUTH
Here I met Patrick and Lyndsey and was so grateful for their time. We met to discuss how we might build on some of the findings of Tekniska Museet. I was shown their dome which is absolutely gorgeous and everyone should visit it. they introduced me to some of the projects that they had been working on and encouraged me to not only write and perform but to consider making the visuals. They have an approach which is community led; everyone should be welcomed to play and engage and create with this technology.
TIP: This was a last minutes visit. Make the effort. Turn up. Meet the teams. This meeting changed the course of what I will do next, for the best. And I am so grateful.
I know longer trust the stars
A demonstration of the collaboration. It’s a dance. The pilot has to be as invested and into the project as I am. I love the activity around the earth in this version
Poetry Deanna Rodger
Music Gabriel Benn
@ Tekniska Museet – May 2025
Conversations create opportunities. If you find yourself at an event for something you are interested in, it is probably safe to say that the other peole are also interested in it too. talk to them. Share thoughts, insights, hopes and who knows what could be built from that connection.
Meet the artist
Being on this EXPLORE programme has opened up doors into spaces me alone might not have been able to get into. I have had time to deeply consider my creative practise of poetry in relationship with creative technologies and emerge with a project ready to go. Alongside this, my activity reminded me of the importance of connecting with people who are also interested in the thing that I am, and being prepared to open up and hold conversations about it.